Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Still life floral, all kinds of reality flowers oil painting 12

ID: 48018

unknow artist Still life floral, all kinds of reality flowers oil painting 12
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unknow artist Still life floral, all kinds of reality flowers oil painting 12


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unknow artist

  Related Paintings of unknow artist :. | Seascape, boats, ships and warships. 103 | Classical hunting fox, Equestrian and Beautiful Horses, 169. | Detail of the Fall of the Rebel Angels | The Wilton Diptych,Richard ii presented to the Virgin and Child by his patron Saint John the Baptist and Saints Edward and Edmund | Henri Royer Paysanne au tombeau |
Related Artists:
Armand-Vincent de Montpetit
painted Louis XV King of France and Navarre in 1774
Pavel Filonov
1883-1941 Pavel Filonov Locations Russian painter, graphic artist and poet. He came from a working-class background; orphaned in childhood, he moved to St Petersburg, where he earned money through embroidery, house painting, restoring buildings and icons, and other tasks such as retouching photographs and making posters and wrappers for goods (a practical apprenticeship he never forgot). His interest in drawing and painting developed through copying, making portraits and the close study of human and animal anatomy. He entered the Academy of Arts, St Petersburg (1908) with difficulty but he left without graduating; his only important teacher was L. E. Dmitriyev-Kavkazsky (1849-1916), with whom he studied privately. Largely self-taught, he was a man of considerable intellectual powers.
Cano, Alonso
Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,






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